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Eva ends up being a stereotype rather than a fully fleshed out character – she’s the over dramatic actor-turned-director who regards JT as a springboard for her career. Similarly, Diane Kruger as JT’s part-time lover and film director Eva is as good as can be expected – like Dern and Stewart she does as much as she can with what little is offered. These are two actors at the very top of their respective games – two of the most engaging people to watch onscreen but Jeremiah Terminator Leroy stifles them. There’s a sense that the cast are itching to do more but are constrained by the rigid dialogue and repetitive scenarios of Laura and Savannah. Stewart straddles the two roles with ease.ĭespite captivating performances from both Dern and Stewart, Jeremiah Terminator Leroy never manages to break out of the drudgery of a standard biopic. Knoop, on the other hand, is portrayed as quietly confident – her insecurities mostly hinge on her own self-doubts about playing JT. The whole thing feels self-reflective the persona of JT, like Stewart, dislikes public appearances and is also notoriously shy. Stewart utilises her own aversion to the media spotlight and channels this towards the character of JT. Albert occasionally comes across as more of a caricature than a real person which is comical in places but also serves to undermine Albert’s own insecurities which are seen as a punchline rather than investigated. Much like Bohemian Rhapsody, which was executive produced by remaining band members, the story favours Knoop over Albert and allows the audience into Knoop’s life in a far more intimate way. It’s worth noting that the film is actually based on Savannah Knoop’s autobiography Girl Boy Girl: How I Became JT Leroy, and Knoop herself co-wrote the films script. The narrative itself takes great liberties with the original story. Sister-in-law of Albert, Savannah Knoop ( Kristen Stewart) moves in with her brother Geoffrey, ( Jim Sturgess) and Albert herself, and the two women quickly become embroiled in one of the most intriguing literary scandals of the 21 st century.
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This is where Justin Kelly’s Jeremiah Terminator Leroy begins its version of the events which followed. In 2000, Laura Albert published her debut novel Sarah under the pen name of JT Leroy, and claimed the book was based on the authors own childhood experiences of poverty, abuse and prostitution.įor several years, Albert ( Laura Dern) communicated with the press as JT Leroy only via phone – explaining the lack of public appearances due to debilitating shyness. Literary personas are commonplace, but the story of Laura Albert, Savannah Knoop and the mythical JT Leroy is anything but. More below… JT Leroy (Justin Kelly) JT Leroy (2018) – source: BFI Flare Film Festival The way we identify ourselves, the way we form communities based on identification and the idea of identity shifts and fluctuates depending on the storyteller and narrative.Ĭlosing film JT Leroy ( Justin Kelly), Floriane Devigne‘s documentary No Box for Me, An Intersex Story and Two in the Bush: A Love Story ( Laura Madalinski) all dip into the idea of identity in varying ways. Moving on from the first dispatch from BFI Flare Film Festival 2019 (which you can read here if you missed it), a great many of the films screening this year had a renewed focus on identity.